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Baccio Bandinelli (1493-1560). The Reader's Biographical Encyclopaedia. 1922

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Baccio Bandinelli (1493-1560). The Reader's Biographical Encyclopaedia. 1922 Dictionary Biographies Literary Criticism Welcome Terms of Service ⧏ Previous Next ⧐ Contents Bibliographic Record Hugh Chisholm, et al., eds.  The Reader’s Biographical Encyclopædia.  1922.
17,000 Articles from the Encyclopædia Britannica, 11th & 12th eds. Baccio Bandinelli (1493–1560) [or Bartolommeo].  Florentine sculptor, the son of an eminent goldsmith, and from him Bandinelli obtained the first elements of drawing. Showing a strong inclination for the fine arts, he was early placed under Rustici, a sculptor, and a friend of Leonardo da Vinci, with whom he made rapid progress. The ruling motive in his life seems to have been jealousy both of Benvenuto Cellini and of Michaelangelo, one of whose cartoons he is said to have torn up and destroyed. He is regarded by some as inferior in sculpture only to Michaelangelo, with whom a comparison unfavourable to Bandinelli is tempted in such works as the marble colossal group of Hercules and Cacus in the Piazza del Gran Duco, and the group of Adam and Eve in the Bargello. Among his best works must be reckoned the bassi-rilievi in the choir of the cathedral of Florence; his copy of the Laocoon; and the figures of Christ and Nicodemus on his own tomb. © 2022 WEHD.com

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